In saying this, I would assume that our media product would be of low production values, and the type of Production Company that would back our work would be that of a smaller more personalized group of investors that would sustain the low budget production of our small concept thriller. The likely hood of appeal to a higher budget run film production company would be very minimal due to the reminiscence that our thriller dwells within. It is very much based on the successful work of other great, iconic directors and their classic horror iconography. Therefore, we would have to pull on more artistically supportive investors - those who support the idea and those who are interested in more independent film making. The lack of CGI affects panoramic views and a smaller, unknown cast would definitely define our production as small independent institutional media production. However, the in-depth development of meaning and character based story line would undoubtedly categorize our production as an independent film production.

Upon analysis of the “The British Independent Film Awards” website, we are presented with various different financial backers. The benefactors of 2009 include companies from Film London, to MAC cosmetics, to Soho House London. From this analysis I have come to conclude that in order to produce a low budget independent film, one must seek various different forms of financial support. Unlike cash rich production company investors, in Hollywood – Independent media must seek their monetary means through various and unique sources of support.

This, therefore, links neatly to the work on our Independent Horror film. We must, as a group, look at decisions upon who we want to invest in our work, represent our product and furthermore attach our name too.


